Formed in the wake of the L.A. punk scene, the Red Hot Chili Peppers combined funk and punk with macho, sexed-up lyrics. (One early track was called “Party on Your Pussy”). The result was a high-octane sound that made the quintet alt-rock favorites in the Eighties, then superstars in the Nineties. But as the Chili Peppers aged, their songs became more laid-back and lyrical, and the band went from flesh-baring firecrackers (a 1992 Rolling Stone cover featured them naked) to respected veterans.
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While most bands reserve a self-titled album for their debut, the Dirty Heads, held off for an album deserving of the moniker. The band found one, in their fifth studio release, a total culmination of their signature sound. Drawing on the alternative rock, hip-hop, folk and reggae sounds from albums past to create something elevated and exciting. The band worked with top multi-genre producers such as Da Internz (Rihanna, Nicki Minaj), Drew Pearson (Katy PerryZac Brown Band) David Kahne (Lana Del Rey, The Strokes), and Jimmy Harry (Madonna, Diplo). The diversity of the production on this project is a true testament to the Dirty Heads versatility.  “With this album you can expect the pure Dirty Heads sound at its finest–a perfect blend of hip-hop and reggae,” says vocalist Jared Watson. “We have songs that range from summer anthems, songs you can vibe out to, and songs that really challenge you to think further. It’s everything the Dirty Heads stand for and what we’ve become up until now.”

The band purposely created an album to serve as the perfect playlist for both Day and Night. The first half of the record offers fans the perfect summertime fun playlist, while the second half offers a mellower vibe, reminiscent of a relaxed summer night with friends.

“In a world where music listeners no longer listen to albums cover to cover but rather discover their favorite songs from playlists on platforms like Apple Music or Spotify, we chose to curate a playlist for our fans with our new music” says Watson.


The Expanders began playing reggae music together in the summer of 2003, and today are one of the hardest working reggae bands in Southern California. They have come to be known for their vintage “rockers” style of reggae, played in the tradition of classic 1970′s Jamaican groups.  Their music is centered in three-part vocal harmonies and strong song writing, with lyrics that range from socially heavy, to playful and upbeat, to personal.